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The Blazoning

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The shield and its ornaments, is the graphic representation of the coat of arms while the blazoning is its verbal representation, its description.

The blazoning originated in the practice of medieval tournaments. The heralds had the need to create reliable coats of arms collections (“stemmari”) to describe the Coat of arms.

Especially those elements that allowed to identify at a distance the knights covered with metal armor thanks to the banners they raised or to the horse’s gallops.

Over time, the blazoning evolved into an increasingly complex language. The blazoning has its own vocabulary and syntax so that it could describe even the most complex blazons without ambiguity.

Initially, heraldic identification was limited to the elements represented on the shield. It then evolved into greater complexity and the ornaments became an integral part of it.

This is the reason why that part of the heraldry that deals with the description of the coats of arms is often defined as the “art of the blazon”. While the study of the history of aristocratic families and their noble titles is called strictly “heraldry”.

Countries and historical periods in which the coat of arms have or had an actual value as a unique element of recognition of people or institutions, the granting of a coat of arms and the drafting of the related blazon are entrusted to legal bodies and guaranteed by the State, in the same way as names and surnames.

Since the entry into force of the Republican Constitution, the Italian State no longer guarantees the individual and family heraldic system. It is directly connected with the noble titles, no longer legally recognized. However heraldic institutes continue to pass on and preserve this noble and ancient art.